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A lively journey to meet the Etruscans, one of Europe’s most enigmatic societies, by world-renowned archaeologist Larissa Bonfante

Table of contents

Contents

Preface
Acknowledgments
Editor’s Note
Introduction
Chapter 1 An Alphabet of Images: Greek and Etruscan Myth
Chapter 2 Families and Gender
   Etruscan Women
   Men and Women
   The Etruscan Upper Class
   The Use of Myths
   Etruscan Mirrors: Reflections of Marriage
   Etruscan Couples 
   Gestures of Love
   Mothers, Myth, and Metaphor
   Toddlers and Children
   Women’s Literacy
Chapter 3 What Happened to the Kouros?
   The Celtic World
   The Greek Model
   Etruscan Transformations
   Etruscan Ancestors
   The Kouros Goes North
   Celtic Burials
Chapter 4 Amber, Runes, and Situla Art
   Amber
   Runes
   The Chiusi Connection and the Gauls
   Situla Art
   Situla Motifs
Chapter 5 The Final Journey
   Tombs and Houses
   Ancestors
   Writing and the Dead
   Angels and Demons
   Erotic Art 
   Till Death Do Us Part
   Boundaries, Human and Divine 
   Journey to the Afterworld
   Blood for the Dead: Human Sacrifice
   Afterlife and the Underworld
Chapter 6 Echoes from Classical Antiquity, Some of Them Etruscan
   Etruscans in Rome
   Christian Symbols
   Romanesque Art
   The Renaissance
   Classical Nudity and Its Power
   Conclusions and Controversies
References
Illustration Sources 
Index

Description

Professor Larissa Bonfante’s great gift was the ability to evoke, in a fresh, immediate, and convincing way, the experiences, beliefs, and thoughts of people living more than two thousand years ago. Her final publication, Images and Translations: The Etruscans Abroad, communicates the sensations of other times and places, from the day-to-day to the solemnly ritualistic.

The world of the Etruscans, sophisticated and pleasure-loving, radiated throughout a vast area of the ancient world – a world very different from our own. Relying on a wealth of creative works, Images and Translations examines the expertise and productions of the artists who made them, the tastes of those who used them, and the sometimes surprising results of the exchanges between creators and buyers. Just as the French demand for Chinese ceramics in the seventeenth century gave birth to the unprecedented famille colors, so the production of Greek ceramics for the Etruscan market produced singularly expressive depictions. Humorous, pious, or erotic to the buyers, they could be shocking to the culture that made them.

Images and Translations explores areas in much closer economic and cultural contact than is usually recognized. The volume finds threads of connection not only between Italy and Greece, but between Italy and northern Europe—today’s France and Germany—as well as between Italy and the Near East. Etruscan influence runs through Western history, into the Renaissance, and emerges in imagery still evocative today.
 

Larissa Bonfante was Professor of Classics Emerita at New York University.

“In this brilliant volume, Bonfante reminds us that the scope and influence of the Etruscan people were far greater than that reflected in mere literature of their Greek and Latin counterparts. With a perspective gained over a vibrant career, we see here the essential interconnectedness of the people of central Italy with wider communities of the ancient Mediterranean and European worlds.”

—Anthony Tuck, University of Massachusetts Amherst

- Anthony Tuck

Images and Translations is a tour de force that compellingly presents the Etruscans as an influential cultural force in the Mediterranean and in Northern Europe. Bonfante has long advocated the view that the Etruscans were not a passive society that simply absorbed Greek and other influences.  In this book she effectively demonstrates that the visual record reveals far more than most earlier scholars have recognized.  She proceeds through careful analysis of the artistic evidence, inscriptions, Greek and Roman literary sources, and geographic factors, to show that the Etruscans were in constant contact with other cultures, and that their artworks and customs transformed ‘imported’ visual images to suit their cultural needs.”

—Elaine Gazda, University of Michigan

- Elaine Gazda