Homebodies

Performance and Intimacy in the Age of New Media

Subjects: Theater and Performance, Dance, Media Studies, New Media
Paperback : 9780472057849, 258 pages, 17 Illustrations, 6 x 9, February 2026
Hardcover : 9780472077847, 258 pages, 17 Illustrations, 6 x 9, February 2026
Open Access : 9780472905454, 258 pages, 17 Illustrations, 6 x 9, February 2026

The open-access publication of this book was supported by The Eugene B. Power Fund
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How social media transforming authenticity into a choreographed and commodified image

Table of contents

List of Illustrations
Acknowledgements
Preface
 
Introduction
 
Chapter One. Candid Dancing

Introduction
Part One. Defining Candid Dancing
Choreography of Abandon
Aesthetics and Semiotics of the Candid Dancing Body
Part Two. Catching Candor, Imaging Abandon
Catching Intersectional Masculinity
Laboring Domesticity
Part Three. Circulating Candor
Conclusion

 
Chapter Two. Moving Selfies

Introduction
Part One. Defining the Moving Selfie
Anatomy of the Selfie
Autochoreography
Part Two. Choreographing the Moving Selfie
Mar’s Exposure
Donté Bufferings
Part Three. Circulating the Moving Selfie
The Feed
The Personal Profile
The Hashtag and the Mention
Conclusion

 
Chapter Three. Nonchalant Gestures

Introduction
Part One. Defining Nonchalant Gestures
Genealogy of Nonchalant Gestures
The Aesthetics and Semiotics of Nonchalant Gestures
The Choreography of Oblivion
Part Two. Screening Nonchalant Gestures
Whose Celebrity? Danko’s Celebrity
Living with Liv
Part Three. Circulating Nonchalant Gestures
Forgetting to Remember
The Marginalities of Marginality
The Other Side of Rogue
Conclusion

 
Chapter Four. Home Concerts

Introduction
Part One. Defining Home Concerts
Genealogy of Home Concerts
Minor Choreography
Aesthetics and Semiotics of Home Concerts
Part Two. Choreographing Childhood, Logging Gender
Declan’s Transgressions
Gemma’s Reiterations
Part Three. Circulations and Orchestrations of Minors
Conclusion

 
Conclusion
Notes
References
Index
 

Description

Homebodies: Performance and Intimacy in the Age of New Media sheds light on a fascinating yet often overlooked phenomenon: how ordinary people transform their private lives into captivating performances for the digital stage. Focusing on home dance videos shared on Instagram from 2010 to 2020, the book explores the delicate art of "intimaesthetics"—the aestheticization of intimacy through the interplay of body, space, and media—and the paradox of the homebody. These seemingly spontaneous performances reveal how users craft images of closeness and authenticity, drawing audiences into a curated version of their domestic lives. Yet, Porter argues, these intimate portrayals exist within a larger system of platform control, algorithmic surveillance, and the commodification of personal expression. 
Porter utilizes hand-drawn illustrations in place of screenshots, which reflects their commitment to critiquing the exploitative dynamics of digital visibility while respecting the personal nature of the media studied. By examining the intersection of personal agency, algorithmic control, and the commodification of authenticity, Homebodies provides a nuanced understanding of how technology redefines intimacy, identity, and creativity in the twenty-first century.

L. Archer Porter is an artist-scholar of performance and new media, teaching in the Department of Theatre Arts & Dance at the University of Texas at Arlington. 

Homebodies offers a sophisticated new theory of intimacy in popular digital media, showing how home dancers choreograph an aesthetic of domestic closeness even as black-box algorithms drive the global circulation of their videos. In lively, accessible prose, Porter presents compelling close readings of amateur performances figured as both authentically personal and uncontrollably public.” 

- Kiri Miller, author of Playable Bodies: Dance Games and Intimate Media

Homebodies is an elegant and beautifully written book that asks to be read on its own terms: up close to dancers and their intimate performances. The concepts Porter introduces here add to the nuanced discussions surrounding race, class, and power in new media.”

- Nicholas Carah, author of Media and Society: Power, Platforms, & Participation

“Porter paints intimate insights with a tact and care that gently carries readers into the lifeworlds of bodies and rhythms in mediated spaces, a calibration of the self that reflects how digital practices help us to see and soar.”

- Crystal Abidin, author of TikTok and Youth Cultures

“Rather than include screenshots of videos, illustrations depict reference visuals, choice in keeping with the overall analysis. Each chapter is accompanied by extensive, thoroughly researched notes. References provide ample direction for further reading and research, and situate this text solidly within the interdiscplinary context fitting for this ubiquitous new media. Summing up: Recommended. Advanced undergraduates through faculty.”

- C. Swendsrud, Choice

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