Focuses on the cultural practices and representations of “going to the countryside” as a distinctively modern experience in China between 1915 and 1965, bringing the rural back to the central concern of Chinese cultural studies
Since the beginning of the twentieth century, modern Chinese intellectuals, reformers, revolutionaries, leftist journalists, and idealistic youth had often crossed the increasing gap between the city and the countryside, which made the act of “going to the countryside” a distinctively modern experience and a continuous practice in China. Such a spatial crossing eventually culminated in the socialist state program of “down to the villages” movements during the 1960s and 1970s. What, then, was the special significance of “going to the countryside” before that era? Going to the Countryside deals with the cultural representations and practices of this practice between 1915 and 1965, focusing on individual homecoming, rural reconstruction, revolutionary journeys to Yan’an, the revolutionary “going down to the people” as well as going to the frontiers and rural hometowns for socialist construction. As part of the larger discourses of enlightenment, revolution, and socialist industrialization, “going to the countryside” entailed new ways of looking at the world and ordinary people, brought about new experiences of space and time, initiated new means of human communication and interaction, generated new forms of cultural production, revealed a fundamental epistemic shift in modern China, and ultimately created a new aesthetic, social, and political landscape.
As a critical response to the “urban turn” in the past few decades, this book brings the rural back to the central concern of Chinese cultural studies and aims to bridge the city and the countryside as two types of important geographical entities, which have often remained as disparate scholarly subjects of inquiry in the current state of China studies. Chinese modernity has been characterized by a dual process that created problems from the vast gap between the city and the countryside but simultaneously initiated constant efforts to cope with the gap personally, collectively, and institutionally. The process of “crossing” two distinct geographical spaces was often presented as continuous explorations of various ways of establishing the connectivity, interaction, and relationship of these two imagined geographical entities. Going to the Countryside argues that this new body of cultural productions did not merely turn the rural into a constantly changing representational space; most importantly, the rural has been constructed as a distinct modern experiential and aesthetic realm characterized by revolutionary changes in human conceptions and sentiments.
Yu Zhang is Assistant Professor in the Department of Chinese Culture at the Hong Kong Polytechnic University.
"The scholarship is impressive. The author is well-informed theoretically, and draws relevant critical ideas into her argument adroitly. More admirable still is her command of scholarship on China, both early standard works and recent interventions, in a range of scholarly disciplines in the humanities and social sciences. This is clearly the work of a very well-informed researcher."- Richard King
—Richard King, University of Victoria
"Going to the Countryside tracks critical visions of rural China through the decades, utilizing novel texts to illustrate new insights into the role of the rural in Chinese imagination, literature, and culture. Even as the rural population in China has declined, both positive visions of a Chinese pastoral and negative ones of rural backwardness retain strong hold in popular culture. In this original work, Zhang demonstrates how in the early twentieth century the categories of urban and rural were reciprocally constituted, with the rural acting as a screen for the projected ideals and fears of modernizing urban elites."- Kate Merkel-Hess
—Kate Merkel-Hess, Pennsylvania State University
“Zhang’s historically grounded and globally conscious study of the rural in the modern Chinese imagination significantly contributes to the study of modern Chinese culture by foregrounding fantasies, aesthetics, and imagination regarding the countryside as a constitutive part in the making and remaking of modern China.”- Liang Luo
—The Journal of Asian Studies
"Going to the Countryside is a valuable contribution to the study of rural China. Its strength lies in Zhang’s intelligent use of a wide range of disciplines (literary studies, folklore, filmography) and other written and visual sources, which she weaves into a coherent narrative."- The China Journal
—The China Journal
"All scholars in Chinese studies, including film, literature and cultural studies, should take a look at this book, not least for the fine method that draws upon a wide and diverse range of readings of novel texts to ask significant questions about Chinese modernization and urbanization."- The China Quarterly
—The China Quarterly
"Yu Zhang’s Going to the Countryside does the field of modern Chinese literary studies the tremendous service of bringing the rural back into focus, highlighting the richness and the often untapped potential of cinematic and literary—fictional as well as non-fictional—reworkings of the urban-rural interface."- Modern Chinese Literature and Culture Resource Centre Book Review
—Modern Chinese Literature and Culture Resource Centre Book Review
"Zhang's monograph will set the standard for understanding how the urban-rural divide was not just represented aesthetically, but how such aesthetic interventions could intervene into rural society at different moments. Her use of a multi-disciplinary and multi-medial archive is impressive, ensuring the work will have a broad range of readers within a variety of fields."- Chinese Literature: Essays, Articles, Reviews
—Chinese Literature: Essays, Articles, Reviews
"I consider Yu Zhang’s Going to the Countryside: The Rural in the Modern Chinese Cultural Imagination, 1915–1965 a highly valuable addition to the scholarship on twentieth-century Chinese literary and cultural studies. Its great insight into the relationship between the rural and modernity in modern cultural productions would benefit readers who are interested in Chinese modernity in the global context."- Prism: Theory and Modern Chinese Literature
—Prism: Theory and Modern Chinese Literature
"Zhang’s book stands out as the very first academic monograph that systematically examines why and how the rural matters in modern China and identifies the various roles it has played over five decades. Zhang successfully shows how Chinese rural areas can serve as fields for cultural adaptation, globalized politics, industrial renovation, and personal growth and development. Zhang’s book paves a new path for studying the interactively dynamic relationship between the urban and the rural."- International Comparative Literature
—International Comparative Literature
"Yu Zhang’s Going to the Countryside does the field of modern Chinese literary studies the tremendous service of bringing the rural back into focus, highlighting the richness and the often untapped potential of cinematic and literary—fictional as well as non-fictional—reworkings of the urban-rural interface. . . . Going to the Countryside is likely to become required reading for students and scholars of Chinese Republican-era and early socialist-era literatures."- Nicolai Volland
—Modern Chinese Literature and Culture