A poetic vision of our collective selves

Table of contents

Acknowledgments

Artistic Statement

Inflexions

  We See We

  Frontline Prophet: James Baldwin,A Poetic Engagement with Sabrina Nelson’s Portrait Series

  Inflexions with the Art of Romare Bearden:

    Quilting Time

    Mirrored Vision

    Diego and Romare

    The Dinner

  When You Lift a Building Up

  Black Eden in Idlewild

  The Voice of Recy Taylor

  Portraits Framed by Sky

  The Bass Is Woman

  Scatter My Ashes over Liberated Land

  Wavelengths Inside Sunsets on Lake Huron

  We Want Our City Back

Elegies

  Eulogy for Detroit 1967

  Rock Steady for Aretha Franklin, The Queen of Soul

  A Poet’s Poet: Naomi Long Madgett

  A Jazz Configuration: Godmother of Detroit Culture

  Blow Marcus Blow

  Ever Vigilant

  The Return of Violet Starfish

  End of an Era

  Faith in Psalms

  A Second Father

  Tecumseh Dispelling Gray Clouds

  Kick Out the Jams for John Sinclair

  Worthy Wars

  The Librarian, Randy Riley

  It Could Have Been Me

Poet Laureates in Conversation: Interview of Melba Joyce Boyd by Nandi Comer

Bibliographical Overview

Notes

Description

Michigan poet laureate Melba Joyce Boyd’s tenth poetry collection, We See We, is a deeply emplaced volume, grounded in Boyd’s hometown of Detroit. The book takes its title from a poem in the collection dedicated to the late photographer, photojournalist, and filmmaker Hugh Grannum, who trained his camera on Black Detroit. Boyd takes a similar approach in this volume, collecting poems “about seeing our collective selves within our interconnected individual lives.” Divided into two sections—Inflexions and Elegies—the poems evoke Detroit’s past and present through works about Romare Bearden at the Detroit Institute of Arts, Idlewild, the 1967 Detroit Rebellion, Aretha Franklin, John Sinclair, and the varied lives of people Boyd knew and loved who demonstrate that you do not have to be famous to have historical impact. As former Michigan poet laureate Nandi Comer writes in the interview that concludes the volume, the poems in this collection are “filled with artists, friends, elders, and collaborators,” making the poems in the collection into “an education in Detroit’s artistic life.”

Melba Joyce Boyd is Poet Laureate of the State of Michigan and Distinguished Professor of Emerita at Wayne State University. She is an Adjunct Professor in the Department of Afroamerican and African Studies at the University of Michigan and a Fulbright Scholar. She has received multiple awards for her poetry and biographies of Frances E. W. Harper (1825–1911) and Dudley Randall (1914–2000). In addition to being a Kresge Eminent Artist, she has B.A. and M.A. degrees in English from Western Michigan University and a Doctor of Arts in English from the University of Michigan. A native Detroiter, Boyd grew up on both sides of the American and Canadian border, spending her summers in Tobermory, Canada, facing Lake Huron.