How can one construct relationality with the other through the skin, when touch is inevitably mediated by memories of previous contact, accumulated sensations, and interstitial space?

Table of contents

Introduction: Literary Touch as a Mediator of the (dis)Embodied                 
I: The Unreachable: Yearning, Reciprocity, Object Relations            
II: Touch in Plays of Distance, Shadow, Light                     
III: Mediated Touch: Membrane, Skin, the “I”                    
IV: Renewing Relationship through the Skin                    
Conclusion: Touching through Language                        


Fusako Innami offers the first comprehensive study of touch and skinship—relationality with the other through the skin—in modern Japanese writing. The concept of the unreachable—that is, the lack of characters’ complete ability to touch what they try to reach for—provides a critical intervention on the issue of intimacy. Touch has been philosophically addressed in France, but literature is an effective—or possibly the most productive—venue for exploring touch in Japan, as literary texts depict what the characters may be concerned with but may not necessarily say out loud. Such a moment of capturing the gap between the felt and the said—the interaction between the body and language—can be effectively analyzed by paying attention to layers of verbalization, or indeed translation, by characters’ utterances, authors’ depictions, and readers’ interpretations. Each of the writers discussed in this book—starting with Nobel prize winner Kawabata Yasunari, Tanizaki Jun’ichirō, Yoshiyuki Junnosuke, and Matsuura Rieko—presents a particular obsession with objects or relationality to the other constructed via the desire for touch.

In Touching the Unreachable, phenomenological and psychoanalytical approaches are cross-culturally interrogated in engaging with literary touch to constantly challenge what may seem like the limit of transferability regarding concepts, words, and practices. The book thereby not only bridges cultural gaps beyond geographic and linguistic constraints, but also aims to decentralize a Eurocentric hegemony in its production and use of theories and brings Japanese cultural and literary analyses into further productive and stimulating intellectual dialogues. Through close readings of the authors’ treatment of touch, Innami develops a theoretical framework with which to examine intersensorial bodies interacting with objects and the environment through touch.

Fusako Innami is Assistant Professor in Japanese and Performance Studies at Durham University.

“This is a provocative, well-researched book. It brings an exciting and new tool of analysis—skinship and the haptic imagination—to a range of important Japanese literary texts and offers new, in-depth readings to important writers. The scholarship is sound, impressive, and accessible.”
—Doug Slaymaker, University of Kentucky

- Doug Slaymaker