The Imprint of Another Life

Adoption Narratives and Human Possibility

Subjects: Literary Studies, Literary Criticism and Theory, American Studies, Media Studies, Cinema Studies, Philosophy
Paperback : 9780472036349, 312 pages, 7 B&W illustrations, 6 x 9, January 2015
Hardcover : 9780472118885, 312 pages, 7 B&W illustrations, 6 x 9, July 2013
Ebook : 9780472029310, 320 pages, 7 color illustrations, July 2013
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How adoption and its literary representations shed new light on notions of value, origins, and identity

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The Imprint of Another Life: Adoption Narratives and Human Possibility addresses a series of questions about common beliefs about adoption. Underlying these beliefs is the assumption that human qualities are innate and intrinsic, an assumption often held by adoptees and their families, sometimes at great emotional cost. This book explores representations of adoption—transracial, transnational, and domestic same-race adoption—that reimagine human possibility by questioning this assumption and conceiving of alternatives.

Literary scholar Margaret Homans examines fiction making’s special relationship to themes of adoption, an “as if” form of family making, fabricated or fictional instead of biological or “real.” Adoption has tended to generate stories rather than uncover bedrock truths. Adoptive families are made, not born; in the words of novelist Jeanette Winterson, “adopted children are self-invented because we have to be.” In attempting to recover their lost histories and identities, adoptees create new stories about themselves. While some believe that adoptees cannot be whole unless they reconnect with their origins, others believe that privileging biology reaffirms hierarchies (such as those of race) that harm societies and individuals. Adoption is lived and represented through an irresolvable tension between belief in the innate nature of human traits and belief in their constructedness, contingency, and changeability. The book shows some of the ways in which literary creation, and a concept of adoption as a form of creativity, manages this tension.

The texts examined include fiction (e.g., classic novels such as Silas Marner, What Maisie Knew, and Beloved); memoirs by adoptees, adoptive parents, and birthmothers; drama, documentary films, advice manuals, social science writing; and published interviews with adoptees, parents, and birth parents. Along the way the book tracks the quests of adoptees who, whether or not they meet their original families, must construct their own stories rather than finding them; follows transnational adoptees as they return, hopes held high, to Korea and China; looks over the shoulders of a generation of girls adopted from China as they watch Disney’s iconic Mulan, with its alluring story of destiny written on the skin; and listens to birthmothers as they struggle to tell painful secrets held for decades.

This book engages in debates within adoption studies, women’s and gender studies, transnational studies, and ethnic studies; it will appeal to literary scholars and critics, including specialists in memoir or narrative theory, and to general readers interested in adoption and in race.

Margaret Homans is Professor of English and of Women’s, Gender, and Sexuality Studies at
Yale University.

“Gracefully written and drawing on a thorough command of the critical and primary literature in its field, The Imprint of Another Life shows a willingness to engage with uncomfortable questions and, when necessary, to take controversial positions. . . . This book should attract considerable attention from scholars in adoption studies, race/ethnic studies, gender studies, and ethics.”
—Claudia Nelson, Texas A&M University

"Margaret Homans’s wide-ranging, probing, generous, judicious, and at moments impassioned investigation into representations of adoption...makes clear how important the imaginative playing out of “what ifs” is for all of us."
--Eileen Gillooly,Victorian Studies

- Eileen Gillooly

"Homans convincingly positions adoption in a larger humanistic inquiry into personal identity and value."
--Contemporary Women's Writing

- Carol Singley