Rape at the Opera

Staging Sexual Violence

Subjects: Music, Musicology, Gender Studies, Women's Studies, Theater and Performance
Open Access : 9780472903634, 210 pages, 17 illustrations, 6 x 9, January 2024
Paperback : 9780472056293, 210 pages, 12 figures, 3 music examples, 6 x 9, January 2024
Hardcover : 9780472076291, 210 pages, 12 figures, 3 music examples, 6 x 9, January 2024
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How opera practitioners represent sexual violence on today’s opera stages

Table of contents

List of Illustrations



1. Staging Rape Myths in Don Giovanni

2. Salomeas Victim

3. Die Entführung aus dem Serail and the Limits of Critique

4: Rape in/as Warfare: The Perils of Allegory


Appendix: Don Giovanni Productions 


The most-performed operas today were written at least a hundred years ago and carry some outdated and deeply problematic ideas. When performed uncritically, the misogyny, racism, and other ideologies present in many of these works clash with modern sensibilities. In Rape at the Opera, Margaret Cormier argues that production and performance are vital elements of opera, and that contemporary opera practitioners not only interpret but create operatic works when they put them onstage. Where some directors explicitly respond to contemporary dialogues about sexual violence, others utilize sexual violence as a surefire way to titillate, to shock, and to generate press for a new production.

Drawing on archival footage as well as attendance at live events, Cormier analyzes productions of canonic operas from German, Italian, and French traditions from the eighteenth to the early twentieth century, including Die Entführung aus dem Serail, Don Giovanni, La forza del destino, Un ballo in maschera, Salome, and Turandot. In doing so, Cormier highlights the dynamism of twenty-first-century opera performance practice with regard to sexual violence, establishes methods to evaluate representations of sexual violence on the opera stage, and reframes the primary responsibility of opera critics and creators as being not to opera composers and librettists but to the public.

Margaret Cormier is an independent scholar and opera dramaturg.

Rape at the Opera: Staging Sexual Violence makes a substantial contribution to the body of updated, ethical criticism about opera narratives and productions. Given the intensified conversations around sexual violence in contemporary culture in general, Cormier’s critical assessment is a timely call for reflection on the responsibilities of staging opera today.”

- Kristi Brown-Montesano, Herb Albert School of Music, UCLA

Rape at the Opera is a compelling piece of scholarship with clear and engaging writing. Cormier's ethics of care—when it comes to staging—extends to an ethics of care for her reader as well. She presents nuanced analyses of the risks and benefits to staging sexual violence, providing a thoroughly interdisciplinary approach to opera.”

- Monica Hershberger, SUNY Genesco