Illuminating how writers and artists have deepened their practice through collaboration and transdisciplinary investigation

Table of contents

BECOMING

Praeludium

Fugue

20 Hybrid Propositions

Becoming: On Process

Inhabiting the Hybrid: Developing a Framework

From Text to Hybrid

Frissure: A Theory of the Hybrid

THE ARTISTS

Conversation: torrin greathouse

Kissing Through a Curtain: Notes on Translation

Conversation: Diana Khoi Nguyen

The Doubleness of Dislocation: Notes on Hybridity and Translation

Transit

Between the Lines

In a Landscape: Mapping John Cage

Conversation: Tyehimba Jess

Gertrude Stein, Virgil Thomson and the Queering of Four Saints

Conversation: Rachel Eliza Griffiths

Luminous Loss: Karen Green’s Bough Down

Conversation: Mary Ruefle

A Picture is Always a Book: On Robert Seydel

Conversation: Ryan Ruby

The Eye of the Mind: On Derek Walcott

HYBRID FUTURES

Towards Transdisciplinarity

Hybrid Futures: Towards a Decolonial Pedagogy and Practice

Notes Towards a Future-Present Poetics

Coda: On Complicity

Hybrid Ontology

Notes

Description

Becoming Hybrid offers an intimate exploration of creative process and hybrid poetics. Weaving together essays, interviews, personal narrative, and pedagogical reflections, this book explores what it means to be “hybrid” in the twenty-first century, as artists increasingly produce work that challenges traditional formal boundaries. The book examines the transdisciplinary practice of artists like Cecilia Vicuña, Don Mee Choi, and Claudia Rankine, many of whom write from diasporic experience or from identities historically pushed to the margins. Emerging from Barizo’s lifelong engagements with music, philosophy, art, and literature, the book illuminates the idiosyncratic pathways she has taken to unsettle disciplinary boundaries as an author, artist, and performer. Becoming Hybrid traces how disciplinary and genre-bound conventions have shifted and dissolved across time, offering tools for decolonial pedagogy and collaborative writing workshops that honor multiple voices, lived experiences, and cultural traditions. Accessible yet intellectually rigorous, the book opens up a conversation about hybridity and creativity, making it an essential guide for anyone interested in how contemporary art and literature are reshaping the ways we think, write, and create today.

J. Mae Barizo is Assistant Professor of Writing and Chair of Undergraduate Creative Writing at The New School. She is the author of two books of poetry: Tender Machines (2023) and The Cumulus Effect (2015).