How eugenics became a keystone of modern educational policy
The new edition of the groundbreaking chronicle of forty years of black music in America
An exciting new examination of how African-American blues music was emulated and used by white British musicians in the late 1950s and early 1960s
Examines the role of black American music abroad in the post–WWII era through the lens of one of the period’s most prolific and influential blues scholars, Paul Oliver
Black popular music and offbeat performance, from Eartha Kitt to Meshell Ndegeocello
Fresh takes on key questions in black performance and black popular culture, by leading artists, academics, and critics