Forthcoming

Showing 1 to 8 of 8 results.

Seriously Mad

Mental Distress and the Broadway Musical

By Aleksei Grinenko
Subjects: Theater and Performance, Music, Musicology, Disability Studies, Psychology

Explores the history of American musical theater’s engagement with notions of madness, from Man of La Mancha to A Strange Loop

Jamming the Classroom

Musical Improvisation and Pedagogical Practice

By Ajay Heble & Jesse Stewart
Subjects: Music, Musicology
Series: Music and Social Justice

Musical improvisation as a vehicle for teaching, learning, and enacting social justice

Tracks on the Trail

Popular Music, Race, and the US Presidency

By Dana Gorzelany-Mostak
Subjects: Music, Popular Music, American Studies, Political Science, American Politics
Series: Tracking Pop

How music defines US presidential campaigns
 

Rape at the Opera

Staging Sexual Violence

By Margaret Cormier
Subjects: Music, Musicology, Gender Studies, Women's Studies, Theater and Performance
Series: Music and Social Justice

How opera practitioners represent sexual violence on today’s opera stages

Improvising Across Abilities

Pauline Oliveros and the Adaptive Use Musical Instrument

Edited by Thomas Ciufo, Abbey L. Dvorak, Kip Haaheim, Jennifer Hurst, IONE, Grace Shih-en Leu, Leaf Miller, Ray Mizumura-Pence, Nicola Oddy, Jesse Stewart, John Sullivan, Sherrie Tucker, Ellen Waterman, and Ranita Wilks
Subjects: Music, Musicology, Disability Studies, Media Studies, New Media
Series: Music and Social Justice

An exploration of the instrument that allows everyone to access artistic practice

Singing the Land

Hebrew Music and Early Zionism in America

By Eli Sperling
Subjects: Foreign Language, Modern Hebrew, Jewish Studies, Anthropology, Cultural Anthropology, Cultural Studies, Music, Ethnomusicology, Diaspora Studies

How song shaped American Zionism

Opera for Everyone

The Industry's Experiments with American Opera in the Digital Age

By Megan Steigerwald Ille
Subjects: Music, Music Composition, Musicology, Theater and Performance, Cultural Studies

How one opera company represents the economic precarity and aesthetic possibilities of operatic performance in the twenty-first century U.S.

The Bastard Instrument

A Cultural History of the Electric Bass

By Brian F. Wright
Subjects: Music, Popular Music, American Studies, Music Theory, Music Composition, Jazz
Series: Tracking Pop

An alternative history of popular music that centers the electric bass

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