An imaginary museum of the legacies of Chinese female revolutionary martyrs
A comprehensive study of China’s ethnic minority cinema from the Republican Era to the present
How can a state reinvent itself to survive?
Reframes cultural diplomacy as part of China's ongoing quest for modernity beyond wealth and power
An ethnography that illuminates the political economy of urbanization in contemporary China
Examining the contemporary rise in China’s political, economic, and military power through the opinions of its citizens
How Chinese artists created a transnational imaginary
Explores the complex interpersonal networks and differing ethical standpoints that shape the news in China
How authoritarian states adapt to new phenomena
How the Chinese party-state attracts young officials to renew its elite
Collection of several previously unpublished works from one of China’s most important scholars in the 20th century
A reexamination of one of the most violent and successful state-building efforts in history
Offers new understandings of gender construction and nation-building through the lens of recent Chinese television programs.
Provides the first in-depth examination of what Chinese netizens think about various death sentences and executions in China.
Studies how the Chinese Communist Party uses and reforms its taxation institution to promote economic growth and governance quality while limits the emerging capitalists' political demand
Tracing the history and adaptation of one of China’s foundational texts
Provides an alternative to both capitalist and communist conceptions of modern historical development based on relations to property
Focuses on the cultural practices and representations of “going to the countryside” as a distinctively modern experience in China between 1915 and 1965, bringing the rural back to the central concern of Chinese cultural studies
Even amidst the Maoist era’s politicized cultural production, culture workers continued to adapt traditional theatre to create bold new statements
Even amidst the Maoist era’s politicized cultural production, culture workers continued to adapt traditional theatre to create bold new statements